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esper jida and esper bell
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The dungeon isn't four-dimensional, but it's very aggressively three-dimensional, a maze of twisty passages laid out like a deranged ant's nest, built out of attractive exotic minerals in swirling blues and teals and ice-whites (which are being aggressively mined closer to the entrance; they'll sell as decorations even if they have no interesting materials-science type properties). The monsters aren't nearly as pretty. Because they're big nasty centipede things with double sets of scary pincers.

The big nasty centipede guarding one particular crevice in which one particular prisoner is waiting goes down to the sound of gunfire.

The associated esper pops into view a moment later. "Hey there! Can you climb out without the centipede in the way or do you need a hand? Water or anything? I'm Traceless, if you haven't heard of me the deal is that the monsters can't see or hear me, but that doesn't extend to you, so on the way out you're gonna want to stay close and behind me and if any get in the way I'll kill 'em, but this lot are not crawling around away from their assigned guard duty too much, so probably we're gonna follow the spraypaint marks I left without running across any live ones, and be out of here in a jiffy."

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"Looks like the Milano is a registered trademark of Pepperidge Farm but if you mean can you have one, sure."

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"That's what I meant, yes."  Okay, the movie is queued up so here he goes to sit on the couch.

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"You still want space?"

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"....I want... to have space.  To retreat to if I want."  He wiggles over to the center of the couch.

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"As you like." Haru takes a couchcorner but continues to not be wearing a shirt.

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Bug gets the movie going and leans into Haru during the ♫ ba-BUM (da! da-da) ♫s.

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Snuggle.

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He's a pretty quiet movie watcher.  At least under these circumstances.

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Suits Haru fine, he's not backlashed.

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Bug doesn't cry at any point although he does eat all available Milanos that Haru doesn't get first.

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The bag was mostly full and Haru only wants a few so that's a lot of Milanos but who among us.

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Aaaaand credits.  "What'd you think?"

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"Well, obviously they had to cut down a lot, but I like how they condensed Hugo rhapsodizing about Bishop Myriel for an eternity into one really poignant scene. Better Christianity apologism right there than anything C.S. Lewis ever pulled out."

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"I... Julien hasn't revisited Lewis since he became an atheist.  Liked him well enough at the time."

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"He can write - though I didn't really care for the Space Trilogy - but I don't find the apologism convincing," shrugs Haru.

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"I spent a lot of the time wondering whether trying to watch a horror movie this week would be a good idea or a bad one."

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"Huh. Did you come to a conclusion?"

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"Not on whether it's for me.  I think it would be bad for Julien because he'd fixate on the things in it happening to him in real life instead of maybe being able to be afraid on behalf of the characters."

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"Cricket," he's been on the back of the couch with his head resting on the Haru-shoulder opposite Bug, watching the movie, "what was that one horror movie you liked again? The weirdly pretty one?"

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"Annihilation."

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"Worth a shot.  But maybe not right away."

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"I also liked Cabin in the Woods."

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"Oh, I've seen that one.  And thought it was good, too, but.  Not ideal for channeling my worry into being about what's going to happen."

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"I could stalk you through the house."

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"Cricket!"

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